It reduces the stone-cold, rock-tough exterior they usually exude, creating a better dynamic and a synergy that speaks more to family. Ultimately, it shows that these heroes finally have time to display their love in front of each other, coming off as more human. But they, too, get caught up in affectionate moments, which grosses out their kid, Gnash. Last but not least, Brooklyn and his mate, Katana, touch down as they all discuss a Batman-Esque crime-fighting plan. They endured so much loss, after all, it's nice they could catch this break, especially as Broadway always felt like the outcast and someone Angela wouldn't like. They're quite open as well, which does fit their characters.

They had a cute crush on each other in the cartoon, and as they land, talks of cuddling arise. Another duo that embraces their passion is Angela and Broadway. Now, this book is picking up right there, painting a more vulnerable couple. They finally accepted what they are to each other, which is where the cartoon ended. The first issue has Goliath and Elisa on their Manhattan castle rooftop, kissing and embracing each other. Dynamite Entertainment's relaunch, however, has fixed this by injecting warm, fuzzy, and cheesy romance in spades.

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